Art
To Know Is To Design: Kristín Þorkelsdóttir On A Lifetime Of Creating Iceland
Get Some Art! Our Exhibition Picks For This Week
MOM Air Goes To Auction: Artist Oddur Eysteinn Friðriksson Talks Performance Art And How One Sells It
‘There’s The New Constitution’: Libia Castro & Ólafur Ólafsson Will Never Stop Fighting
The Poetics Of Technology: Sigurður Guðjónsson & The Unseen World
Almar Atlason’s Party Funeral: An Exhibition Of Beauty, Suffering & A Colourful Daze
Artist/Curator/Friend: The Undefinable Relationship Of Emilie Dalum And Michael Richardt
1600 Lives: The 1600 Niðurfelld Nauðgunarmál Project Tackles The Failures Of The Law Through Art
The Raw Power Of Pop Baroque: Erró’s Energy Sparks A New Exhibition
‘Yes, a falling tree makes a sound (and it has a lot to say)’ Serves Up Feminist Queer Insect AI Fantasies
The Rules Of A New Dimension: Kristín Morthens’ ‘Gegnumtrekkur’ Exists In Another World
Hot Dogs, Dongs and Woolly Tongues: Ýrúrarí’s Quest To Create A Better Sweater
Bears, Shrinks and Umbrellas—Reykjavík’s French Film Festival
Together For Seyðisfjörður: Artists Lend A Hand In Rebuilding The Village
A Cinematic Collection Of Souls: The Icelandic Love Corporation On ‘Psychography’
Comfort & Contrast: Rakel Tomas Finds Peace In Black And White
Creating Visibility With Sound: Julius Rothlaender & Claire Paugam On ‘Vestur í bláinn’
Art In The Shadow Of Climate Change: ‘Norðrið’ Shines Light On A Bleak Future
The Meaning Of Everyday Objects: Guðlaug Mía Eyþórsdóttir Blurs Functionality & Decoration
The Dizzying Cacophonic Beauty Of Davíð Örn Halldórsson
