The Reykjavík Grapevine


Birkir Fjalar Viðarsson

  • Ophidian I: Solvet Saeclum

    Ophidian I: Solvet Saeclum

    ‘Solvet Saeclum’ hints at greatness, but the band has yet to control their overzealous enthusiasm. ‘Solvet Saeclum’ is crisp and cutting like latter day Death but without the choruses and anthemic attributes. Its virtuosos are exhausting like Obscura, but without the crunch.…

  • The Winner Takes It All

    The Winner Takes It All

    It’s that time of the year again! Since 1982, the annual Músiktilraunir (Iceland Music Experiments) competition has been waged to find the best in new, unsigned music from Iceland. The contest has had a decent pedigree with bands like Maus, Mínus, Mammút,…

  • Beneath: Enslaved By Fear

    Beneath: Enslaved By Fear

    Anything Beneath touches oozes experience and focus. When they have something new out, people get anxious. Will they put everyone else to shame? Will they top their previous outputs? These are all relevant questions befitting a band of Beneath’s stature. ‘Enslaved By…

  • Ojba Rasta: Ojba Rasta

    Ojba Rasta: Ojba Rasta

    There’s an indecisive Icelandicness at work here. The production values, line-up of instruments (clarinet, melodica, euphonium) and vocals are all seemingly un-reggae. This simultaneously works for, and against, the band. This said Icelandicness gives Ojba Rasta an intriguing feel of “otherness,” and…

  • The Heavy Experience : Slowscope

    The Heavy Experience : Slowscope

    Calm and commendable. Supplementary dynamics, such as a surprise tempo change or bombastic instances of some sort, would have made this Slowcope perfect. It’s all in the name. Six slow, stripped down instrumental songs. The scope is that of great space, distance…

  • Appetite For Self-Destruction

    Appetite For Self-Destruction

    Let’s start at the end. “Did you get in here for free?” lead singer Páll Rósinkranz asked two little children jokingly, carrying bouquets of flowers to our heroes as their last song came to a close. “Uncomfortable” is the word I’m looking…

  • Sudden Weather Change: Sculpture

    Sudden Weather Change: Sculpture

    In conversation with myself the other day, I proposed that scene darlings Sudden Weather Change don’t sound excited or fun anymore and that ‘Sculpture’ is the antithesis of the band’s lauded live shows. This was an observation, not to be mistaken for…

  • Nuuk Posse, Sume And Other Great Bands!

    Nuuk Posse, Sume And Other Great Bands!

    I’m guilty of not tapping into Greenland’s culture. Hell, my brushes with this great island’s pop culture have been hurried, few and far between. And let’s face it, rarely does Icelandic media, or any other media for that matter, pay attention to…

  • Tilbury: Exorcise

    Tilbury: Exorcise

    When I heard Tilbury was a supergroup of sorts (with members from Skakkamanage, Jeff Who? Moses Hightower, Valdimar and Hjaltalín) rumoured to be flaunting a Belle and Sebastian fixation, I imagined the outcome would be uninspired and pretentious dog shit. Indeed, the…

  • Tight Like A Bumblebee’s Ass

    Tight Like A Bumblebee’s Ass

    What was supposed to be an anal, sharp and critical review of Botnleðja’s first comeback show at Gaukurinn quickly turned into an open fan letter. You object? That’s probably because you just don’t get it.  And I’ll spare you the history lesson.…

  • The Legends Return

    The Legends Return

    Make no bones about it, Entombed are one of death metal’s pioneers and arguably amongst the elite that influenced and changed extreme metal as we know it. In 1990 the underground opened up to their debut, ‘Left Hand Path,’ praised for its…

  • Haphazard Focus, Muck-Style

    Haphazard Focus, Muck-Style

    “We saw the fish on Klappastígur and thought it was somehow posh and that made us laugh,” Indriði Ingólfsson, guitarist and second vocalist for Reykjavík’s Muck, tells me. “Kalli Ställborn [lead vocals/guitar] took a picture of it and when the film had…

  • Muck: Slaves

    Muck: Slaves

    I do not demand 100% originality or wild surprises at every turn of a new album. Many original albums are intolerable, pretentious dog shit. Some bands’ influences are very easy to detect. Often it is their folly. That’s not the case here.…

  • Todmobile: 7

    Todmobile: 7

    Finally the mighty Todmobile have returned. I figured the best way to engage with this new epic was to take it for a long car drive in the countryside. I listened to it twice in a row to confirm my immediate conclusion:…

  • ADHD: ADHD 2

    ADHD: ADHD 2

    I’ve made up my mind. ADHD’s latest album rules. This being my virgin foray into their world of sound, I was initially worried when I saw the line-up of musicians. They are all fantastic players, but I figured these skilled cats would…

  • Be There Or Be Square

    Be There Or Be Square

    When I learned that a young artist that I had never heard of was putting on a show exclusively for the residents of a tiny hamlet I didn’t remember ever hearing of, I just had to go witness it. The event’s producer,…

  • PBP PUNK DON’T CARE ABOUT ANYTHING

    PBP PUNK DON’T CARE ABOUT ANYTHING

    There’s a palpable air of “we don’t care what anyone else is doing or if they like what and how we do” around the Paradísarborgarplötur (“Paradise City Records”) label/collective. It’s the quintessential hardcore/punk and beyond type of operation, ambitious yet somewhat mysterious,…

  • Tryggvi Hübner: 2.0

    Tryggvi Hübner: 2.0

    Tryggvi Hübner is an accomplished guitar player. He’s tactful, tasteful and many other positive adjectives that end in -ful. And he’s skilled as a motherfucker. But here’s the kicker: his ambitious and dynamic record is so harmless and diluted that it goes…

  • Svartidauði: Temple of Deformation

    Svartidauði: Temple of Deformation

    Svartidauði have made unpleasantries their business for some time now. But despite a loyal cult following, they’ve hardly been prolific. In times when a large number of black metal bands are trying to not sound black metal, Svartidauði revels in what once…

  • Melchior: 1980

    Melchior: 1980

    Melchior is one of those prototype renaissance artist groups, consisting of multi-instrument-wielding folks performing music as a vehicle for poetry. Or is it the other way around? Sounds like a multitude of current indie/alternative groups that frequent these pages, right? Thing is,…

  • Ask The Slave: The Order Of Things

    Ask The Slave: The Order Of Things

    This is the type of music that experts and self-appointed authorities on what’s cool make fun of or are intimidated by. ‘The Order Of Things’ is equal part a display of: the joyousness of playing with individuals that gel together, yeswecanism (evident…

  • The Most Important Hard, Fast, and Heavy of 2001-10

    The Most Important Hard, Fast, and Heavy of 2001-10

    No one wants to make a list like this. You like to get stoned (no pun) to death by disappointed band dorks? First I attempted a list of five. I agonised over it. Stretched it to ten. Tears still rolling. Exceeded ten…

  • Swords of Chaos: The End Is As Near As Your Teeth

    Swords of Chaos: The End Is As Near As Your Teeth

    Here we have a group of young dudes that are good friends. They’re horny, amped and there are no brakes. That’s how you should sound early in your career. Especially if you love spastic punk, noisy hardcore and metal. The result is…