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Epilepsy EP
Let’s be straight from the start on this one: it’s not all indie-rock, quite often it’s the other way around; “Brick Thief”, the final track on this grower of an EP, provides more crunch than you’d anticipate from the Big Country-ish opener…
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Rivers & Poems
A collaboration between Frosti Jónsson and Japanese ambient drone artist Nobuto Suda, this four-and-a-half track suite falls deeply into the territory of epictronica. It all begins with the water-trickling, expanding pad sounds of “Flumine,” the music yawning awake as a brand new…
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I Got A Feeling
The opening track “Like A Bird” is well-named because it really does resemble the output of Mr. Oizo of Flat Beat fame. The blobby beats and tinkly top-end of “Throw It Away,” married to an insistent beat and strange squeezebox-esque sound, are…
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Apeshedder
Glitchy synths, ambient interludes, and dreamscape pop: that’s ‘Apeshedder’ in a nutshell. What that doesn’t tell us about, of course, is the shimmering flourishes with which, for example, “Harmala” gleefully ends. Or the funtime trippiness of the spacey, cushiony “Ootz.” Or the way that track’s beat crumbles and stumbles toward drum &…
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Heretic EP
A man woke up from dreams of flying to find the grey skies had finally, irrevocably and godlessly fallen; a dense, muggy, sick, slow-oozing fog squelched and squeezed at the roof tiles of the world, sprawling in a dazed deception, proof at…
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The Sun’s Gotta Shine…
In numerous ways this is a pure blues/rock album, but the lyrics throughout are sharp, witty and personal/political. It’s easy to pull out any number of Bart Cameron’s pithy phrases: “You wanted a fight, alright you got a fight / But this…
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Bitter & Resentful
Well, he isn’t really, although he comes close on “The Lovers” a giddy duet in which he and his female co-vocalist each happily wish the other would fuck off and leave them alone. There are some self-loathing moments here: the scorching “America–An…
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Autumn Skies
What beautiful sounds this album delivers; it’s simply a brilliantly-designed and controlled set of pastoral pop songs that delivers an intensity of loving thoughts and vignettes through a largely acoustic palette. Snorri’s voice is smooth on the country-blues title tracks that bookend…
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Black Valentine – Polygamy Is Alright With Me
Whoa, someone likes the Velvet Underground don’t they? “Get It Together,” which opens this tawdry album, is—probably by design—exactly like an outtake from that band’s Doug Yule era. You know, where he tries to sound like Lou Reed and almost does, to…
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Klezmer Kaos: Froggy
Get ready to dance! And possibly cry. And then to say, “Hang on, how come this band is now playing excerpts of Nintendo game themes?” Therein lies the chaos; this supreme set of musicians grab the Jewish roots of this most insistent…
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For Weeks
Oh ok then, Henrik Björnsson sounds like some kind of deadpan cynical cowboy fronting a hybrid Pet Shop Boys / drugged-up psychadelic shoegazey type bunch of reprobates and the sentiments are mostly downbeat or nihilistic. But that don’t mean it isn’t good…
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AMFJ: Bæn
‘Útburður Umskiptingur’ is a cracking opener: for nearly a minute you’ll be turning the volume up and up to try and hear anything and then cursing the couple next door for letting their baby cry whilst you’re trying to listen to some…
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Ham: Svik, Harmur Og Dauði
A juggernaut doesn’t have to be going at 100mph to squish you flat: the inexorable push forward of a 25mph roar is going to do the job slower, and furthermore you’re going to know… all… about… IT untilyouslideunderandpop… intothewhite… BUT then somehow…
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Skúli Mennski: Búgí!
The opening tracks of this fine, strange album—‘Innsigling’ and ‘Leggir’—set up this LP as one containing the best doomy-blues songs that Nick Cave only wishes that he could have waved at as it passed his stupid, goth-y big head, gazing at a…
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Daníel Ágúst: The Drift
Blues doesn’t get the appreciation it deserves. But if Daníel Águst has got anything to do with it, that’s gonna change, cowboy. And though the form itself is based round familiar chords and licks, in the hands of someone with something to…
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Deep Jimi and the Zep Creams: Better When We´re Dead
Start this album on track 7—‘Don’t Let Your Dreams Go’—which will tell you everything you need to know about the style, approach, personality and proper-rock-song attitude of the now-veterans. It’s an early-70s long-hair Zeppish rocker with a satisfying hint of desperation about…
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Jón Jónsson: Wait For Fate
What is evident about Mr Jónsson is that he has absolutely impeccable taste. The title track’s acoustic spins on The Beatles’ ‘Blackbird,’ ‘Ocean Girl’ kicks off with the descending riff from the verses of ‘Dear Prudence,’ also by The Beatles of course…
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Valgeir Sigurðsson: Draumalandið
Divested of the enviro-politic moving picture of the same name, this ceases to be a soundtrack and transcends even the status of an album, because everything about this collection of feelings, emotions and resonant creative constructions is pretty much immaculate. The arrangements…
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Ourlives: We Lost The Race
Thanks, you bastards. I was having a zonked-out Sunday there, minding my own business, before your proggy, introspective tunes made my hangover come up again. This is not, of course, a bad thing: the first track on your wily debut album, ‘Anything…
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Nögl: I Proudly Present
Well, yes indeed: why not be proud of what you produce? We were massively proud of a cake we made yesterday. And then proud of the massive turd that the cake produced today. And, hey, wow, guess what? This album’s sweet, shit,…
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Snorri Helgason: I’m Gonna Put My Name On Your Door (2009)
This debut solo album takes in country-blues (The Silence Of The Night) , a kinda hoedown rock (Freeze-out) and purer, Donovan-ish folk (Carol, She’s A Meadow) in its flighty meander through familiar, non-groundbreaking but undoubtedly excellent songwriting. This is the kind of…
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The Foghorns: A Diamond As Big As The Motel 6 (2009)
The boy Bart Cameron and friends return with an album that manages to simultaneously inhabit a Midwestern, dusty landscape and poke the genre with sticks til it twitches and grunts with irritation. There are many moments of self-searching on here, wry without…
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Moto Boy
Mozzer—were you in Sverige 20-odd years ago? We think you were… If Morrissey was a little less of a miserable, arguably racist posing old foppish shit-haired wannabe light entertainment Tony Blackburn-show type buffoon, and if he spent less time waving flowers about…

