Album review

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  • Culture
    Album review

    Hugar

    I found myself six tracks into Hugar’s self-titled instrumental debut before realizing that the first song had ended. This could mean one of two things: either the lack of lyrical stimulation reaching my brain sent me into an inert mental state, or the neo-classical duo, consisting of producer-instrumentalists Bergur Þórisson and Pétur Jónsson, has achieved

  • Culture
    Album review

    Home

    With several albums under her belt, two No. 1 singles on the Icelandic music charts, and world touring with Gusgus as a teen, Hafdís Huld has a lot of previous musical experience to draw upon. She’s nearing her mid-thirties now, but has that certain Icelandic agelessness about her. Hafdís’s solo album `Home’ is a simple

  • Culture
    Album review

    Mexico

    Gusgus didn’t seem like a band that was in it for the long haul. Starting as a loosely strung collective of musicians, filmmakers, producers and vocalists, they seemed to the outsider like a mercurial proposition—a bubbling experimental formula with equal potential to expand, evaporate or explode. But after nine studio albums made over almost two

  • Culture
    Album review

    In the Eye of the Storm

    The trio of musicians in Monotown (two of them brothers) released their first album, ‘In The Eye Of The Storm,’ this year. The album is a mix of folk harmonies, rock ballads, and up-tempo tracks. The title song is one of the most memorable on the recording, beginning with a Grizzly Bear-like arrangement of strings

  • Culture
    Album review

    Trash From The Boys

    ‘Trash From The Boys’ is the best Icelandic album I have heard for a long time. It might be the best Icelandic album ever made. That might well be. I don’t know. Like a 21st century version of a younger, angrier, hungrier, dirtier, perverser, more cynical, more poisonus, more self-destructiverer version of that band Singapore

  • Culture
    Album review

    This Is Icelandic Indie Music (Vol. II)

    Despite the name, this sampling of Record Records’ roster carries some of the most prominent bands in the country, and like its predecessor, travels through folk, rock, dance, and even reggae. “Indie music” and “Icelandic music” are pretty synonymous; if you’re making your own music in Iceland, chances are you could be categorized as “indie.”

  • Culture
    Album review

    Sorrí

    Prins Póló, the essentially one-man-band project of Svavar Pétur Eysteinsson (Skakkamanage), has a new album out titled ‘Sorrí.’ I’m not sure what the “Sorry” is about, but perhaps it’s an ironic middle finger to those who might not like this very eclectic album. ‘Sorrí’ is a bit of an insider’s album that will likely be


  • Culture
    Album review

    M-Band – Haust

    Hörður Már Bjarnason’s solo album ‘Haust’ (or “Autumn”), under his band name M-Band, at times seems to emulate the styles of more seasoned electronic musicians a little too closely, but ends up offering plenty of fresh sounds as well. GusGus is an obvious similarity here, along with some of Björk’s more house-inspired tracks of the

  • Culture
    Album review

    If You Think This Is About You… You’re Right

    ‘If You Think This Is About You… You’re Right,’ the debut album from local band Different Turns, tries to infuse a bit of electronic wibbling into classic alt-rock guitar moves. And listening to it, it’s plain to see that they’re more than capable of making some really good tunes. Tracks like “Erotomania” glide along with a

  • Culture
    Album review

    A U R O R A

      At the end of April, Ben Frost held a concert in a packed Kaffibarinn to premiere the music from his new album ‘A U R O R A.’ To say that the atmosphere was intense in that tiny confined space would be putting it mildly, to say the least. With Greg Fox and Shahzad

  • Culture
    Album review

    Kaleo

    If you think Kings of Leon, the Black Keys and the White Stripes are all purveyors of derivative trash, then there’s a new purveyor on the scene for you to hate. If, on the other hand, you think they’re refreshingly straightforward examples of what God intended for mankind when he invented the electric guitar, then

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