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Review
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Track Of The Issue: Just Another Snake Cult: Birds Carried Your Song Through The Night

Published June 15, 2012

A swell little solo EP from Just Another Snake Cult. Short, sweet and kaleidoscopic, ‘Birds Carried Your Song Though The Night’ has a distinctly retro feel to it, with synthesizers echoing throughout like ghosts from the past. There is a dream-like, instrumental quality to the album, and although though most tracks have lyrics, the resonating sharpness of the synths and singer/band leader Þórir Bogason’s mumbled way of singing combine to undercut them, almost to the point where they are not necessary. Even if you like music with ‘depth’ or whatever, this album can still appeal on the basis of this dreamy, midnight quality.
All up, an enjoyable EP. It has just enough of the old to satisfy my inner ’80s child and enough of its own style to not be derivative.
Download it here.


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Get Serenaded By GusGus Singer Daníel Agust

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Recent Grapevine cover stars GusGus today unveil a video for their new single “Airwaves”, in a somewhat timely fashion. It’s the third single to be gleaned from their 2014 album ‘Mexico‘, presented here as a 4-minute radio edit, and blending together pop and techno in an appealing fusion that’s seen the band achieve a new height of popularity as they approach the 20th anniversary of their formation. The video is a simple but effective to-camera performance by singer Daníel Agust, so if you’ve ever wondered what it might be like to be serenaded by the diminutive whirling frontman, here’s your

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WORLD PREMIERE: A FANCY NEW OYAMA TRACK!

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The hepcats of Oyama are all set to unleash their monster of a début album, Coolboy, which will be released in Iceland via 12 Tónar on November third (those fortunate enough to live in Japan can get it in less than a week, via Imperial Records). After giving the thing a couple of spins, we can verify: Coolboy is a good album. Great, even. Lucky you, then, that Oyama would opt to premiere its first single, Siblings via the very website you are reading. In this very story you are reading! Yes, check it out, here’s Siblings: Now, that there’s a pretty

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Agent Fresco Release Parody Video

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Math-rockers Agent Fresco may be in the middle of mixing their upcoming 2015 album, but they still found the time to release new video “Dirt Water,” which is a parody of previously released “Dark Water” video. It is directed by Bowen Staines of Don’t Panic Films, who has previously shot videos for Skálmöld, Sólstafir and The Vintage Caravan, amongst others. Check it out below, and compare to Dark Water. The video was released to promote Agent Fresco’s upcoming Airwaves shows. You can catch them on the following dates: November 5: Gamla Bíó at 21:40, during which they will exclusively play

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EP

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What Kvöl’s new EP lacks in musicality is made up for in character. The Reykjavík-based post-punk band, which counts noted “Salvation Soldier” Þórir Georg as a member, released their hazy four-song debut this past July. The album is dark and New Wave in aesthetic, constituted by programmed 808-style drumbeats; groggy, doubled guitar lines; and indistinct lead vocals. The reverb is cavernous and plentiful, yet analogue in nature. The occasional synth pad makes an appearance, grounded by bass lines that sound as if they were played through a guitar into broken recording equipment. Each of the EP’s four songs bear meaningful

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Lay Low: New Video, Tourdates

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Humble folk singer-songwriter Lovísa Elísabet Sigrúnardóttir, aka. Lay Low, has just released a self-directed video to her song “One Of Those Nights” from the 2013 album ‘Talking About The Weather.’ Lovísa describes the song as “a stripped down hummaby that I wrote after one of those nights back home in Iceland.” Check it out! “Making my own video was something that I really wanted to have a go at, even though I don’t really have much experience,” Lovísa told the Grapevine in an email. “However, I did actually make a video for Benny Crespo’s Gang’s “Night Time” a few years ago

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Grúska

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From start to finish, Grúska Babúska’s wobbly, otherworldly self-titled debut is a pleasure to experience. There is something definitively narrative and theatrical about the ten-song collection, whose eclectic instrumentation includes flute, ukulele, guitar, synth, melodica, music box and a range of pitched percussion. The theatrical nature of the record derives from the constant starting, stopping, and resetting that punctuates each of the songs, resulting in a rare disturbing—yet captivating—listening experience. The arrangements are masterfully crafted, and chaotically layered without feeling crowded or pretentious. The record’s opening track, “Slagarinn,” begins with a minimal synth line, building in texture and dynamic with

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