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Hallgrimskirkja City Shot

Hallgrimskirkja City Shot

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Tying A Ribbon On Biophilia

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Sitting upstairs at Iðnó, pouring out a cup of coffee in a fetching fluorescent yellow ensemble, an animated Björk is expressing how pleased and surprised she is that people still want to talk about her work. “I spoke to someone earlier who had been online researching all the Biophilia set lists and comparing them,” smiles Björk, “and I was like, ‘respect!’ It’s crazy that people actually still care, or can be bothered.” She hasn’t done a press day for three years. The last time seems a long time ago, back when Biophilia was being unveiled to the world—the album app

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Come Fly With me

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Elvar Örn is a professional photographer and filmmaker with a passion for aerial photography. He’s traveled the world, from the deserts of Namibia, to icy Antarctica, and the highlands of Iceland. He’s explored a wide range of techniques in the art of photography, and he’s delved deeply into high-quality, archival printing processes. In collaboration with Gallerí List, select works of his aerial photography from the Icelandic highlands will be on display at Sólon Bistro starting September 15. I chatted with Elvar about his upcoming exhibition and his craft of printmaking more generally. Your passion is aerial photography. What drew you

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Go PONG Harpa Now!

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Ever wanted to play arcade classic ‘Pong’ on the massive Harpa facade? Great, because until August 31st you can–so long as you have a smartphone. PONG is an interactive multimedia art piece by Atli Bollason and Owen Hindley. If you go to Arnarhóll (the grassy hill overlooking Harpa with a statue of Iceland’s founding father Ingólfur Arnarson at the top) you can log on to a special wireless network, join a queue and then take control of either pong-paddle by tilting your mobile device. The game itself is then rendered in real time on Harpa’s facade using the 714 LED

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When Dreams Become Realities

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In early 2012, 49-year-old Ármann Einarsson, a music school principal with a potbelly that he frequently, fondly, pats, sent a Facebook message to Brogan Davison, his son Pétur’s girlfriend, who is also a choreographer and dancer. “It said, ‘Hæ, Hæ: This is a formal request,” recalls Pétur, himself a theater artist and director. Having nursed a life-long dream to dance on stage, Ármann asked Brogan if she would be willing to help him achieve this goal. “I’d been thinking about dancing for so many years,” he says. “When I was sixteen years old, I loved going and dancing at balls.

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Everything Under The Little Sun

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Internationally renowned artist Ólafur Elíasson has always been a fan of a spectacle. Whether he’s pumping tens of thousands of litres of water out of New York’s East River to form waterfalls, painting the rivers of Japan fluorescent green, or designing the façade of Reykjavík’s own concert hall Harpa, his art has always been imbued with a sense of extravagance. It may therefore come as a surprise that his newest venture is a relatively unassuming solar-powered lamp that measures roughly five inches across. Little Sun is the name he and his design partner—and the company’s co-founder—Frederik Ottesen gave the yellow

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A Steady Heartbeat

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The Reykjavík Dance Festival is no stranger to flexibility and experimentation. Founded in 2002, the festival has provided Icelandic and international choreographers an unparalleled platform to showcase their work to an audience that may not have exposure to the world of contemporary dance. In 2012, when the festival turned ten, the coordinating board decided to shake things up and began inviting guest directors to curate the future iterations of the festival. With different curators asking different questions, the festival’s flavour has been distinct each year. This year’s curators and joint directors, Ásgerður Gunnarsdóttir and Alexander Roberts have lofty, daring plans

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